Was He a Pervert or a Bra Expert?

this alluring bra shop got my attention in Paris. Soldes means Sales!

I couldn’t help but take notice of the store windows on my first morning in Belleville, the friendly neighborhood in Paris where I was staying for a week in early July.

The signs on the bra shop screamed, “GRANDES TAILLES, MEILLEURES PRIX”! “BIG SIZES, BEST PRICES”!

For a woman with an ample chest a good bra–and a good bra store–is hard to find.

With the promise of BIG SIZES, BEST PRICES, I felt a need, even an obligation, to enter. I actually even need bras. In Buenos Aires, where I’m living in 2017, there don’t seem to be any bra stores with sizes above DDD. I sometimes feel excluded when I pass lingerie stores in Buenos Aires and even a low-grade panic, what if all my bras break at once? Sometimes underwires pop out, or bras get damaged in the wash.

But the store looked mysterious. Signs covered the windows. The shop didn’t look like your average bra boutique. For days I delayed.

On Saturday after four days in the neighborhood I finally ventured outside with a mission: check out the bra store.

I opened the door and stepped inside, finding myself in a small, disorganized, square-shaped shop, the walls covered by little white cardboard boxes, presumably with bras inside, and bins full of merchandise on sale: bras and underwear. The shop was a mess, a far cry from the feminine, carefully decorated boutiques I’m used to in the States. It was not what you would call aesthetic.

A short bald man with a paunch belly stepped out from the back room and greeted me, “Bonjour.” He was the only one working at the shop, and there were no other customers. I froze. Who was this guy? Why was he the only one in the bra shop?

How could I exit gracefully? I didn’t want to be trapped in a bra store with this little bald pervert. When I go bra shopping in the States, a woman often comes into the dressing room with me to measure me and assess whether the bras fit. Would he want to go in the dressing room with me?

It was a long thirty seconds before I uttered the words, “I’m looking for a bra” in French. Those words took all my courage in the world in that moment to say.

“36G,” he said, naming my size.

“Yes,” I said, astonished that he had hit the mark. He was such a bra expert he could judge my size just from my appearance. It took me a long time, until years ago, to admit that I wasn’t a D and get a bra that actually fit properly.

He went in the back and pulled out two black and nude bras and handed them to me.

“Is that all you have in my size?” I asked. These bras looked matronly. A few years ago I made a commitment to myself, I will wear bras I find attractive and sexy, that don’t make me feel like a grandmother.

“Don’t worry, I have many options.” he said.

“I’m looking for a pretty bra,” I said in French. “Jolie.”

He smiled, “Pretty? You don’t think my bras are pretty? I only sell pretty bras!”

I started to laugh too, and then pointed out the styles I found appealing, including a peach and gray leopard print a mannequin was wearing.

32 euros! amazing sale price!

Another woman came in at this point, and he started to service her giving her options to try. She and I alternated using the sole small dressing room while he found bras for us. She seemed to love him. “This store is a gem of the neighborhood,” she said. “And he has great sales.”

She came out of the dressing room with her top on to get our opinion.

I gave her a thumbs up; so did he. I also tried on bras, then putting on my shirt to let them assess the bra fit.

In fact, I found an unusual abundance of options. I settled on two cute bras. The peach and grey one I adored and it was on sale for 32 euros, a fantastic price since the same brand would cost $80 in the U.S. The gray pinstriped one was 56 euros, an average price, still cheaper than what I paid in Oakland last year.

While he was ringing me up, I explained that I’m American but live in Buenos Aires where there are not many bra options for “full-sized” women. He laughed, “Oh, you’re American. You must stay in Buenos Aires far away from Trump!”

I left laughing and feeling uniquely uplifted (pun intended) by the encounter.

We question gendered assumptions about women’s roles. What about questioning roles for men? Can a man sell bras? Apparently.

I tried to ask if it was common for men to run bra shops in Paris but the question got lost in the shuffle and I didn’t get an answer. If I could go back in time, I would also ask, What made you open this shop? How did it happen that you’re a man running a bra shop?

Life is full of surprises when I breathe past my fear and find the courage to buy a bra from a man in Paris.

Here’s our guy!

Want to find the magical bra shop? Go looking on Rue de Belleville just a block from the Metro Jourdain in Paris.

How Can You Be a Feminist and Like Tango?

“You’re not getting the lead,” he tells me. Gruff, mid-fifties, beady eyes, a ponytail dwindling halfway down his back, Ponytail Man chose me as his partner for this advanced tango class at Floreal, a traditional milonga in Buenos Aires. It’s nice to be chosen, but now I’m not sure. Two famous teachers, los Totis, are teaching an unusual sequence. We’ve danced three songs and aren’t getting it. (A milonga, for those who do not dance, is the sacred place where where people gather to dance tango.)

“You have a vicio (a bad habit) with your elbow that is breaking the lead,” he barks, clearly blaming me. I narrow my eyes and stay silent to keep the peace.

After two songs I escape his clutches and try the move with the teacher. No problem. I try the sequence with another man, a sweet twentysomething in a gray suit with a pink handkerchief who is trying with all the women in the room. With him the move works fluidly.

Ratty Ponytail Man, standing in the corner, beckons me to try again.

“I will try if it’s in the spirit of being partners,” I tell him. “I got it fine with the others.” This time I’m not letting him walk all over me.

Time stops, and the room goes fuzzy.

“You don’t want me to tell you things?” he says, his eyes incredulous. “You need to know you are in tango and tango is machista. Tango is the creation of men, that’s the way it is and you need to accept it, you are in Buenos Aires.” He looks around the room, as if I don’t know where I am. “You can go to milongas with the pibes (boys) where it’s 50-50 but in a traditional milonga it’s machista and that’s the way it is.”

To be “macho” could be a male aspiration, to be manly, strong, protective, and even nurturing. But in Argentina machista has come to mean “chauvinist,” a male desire for control and domination.

“So what does that mean? I don’t get a voice?” I ask in disbelief.

“If you want to become a professional dancer then you can have something to say. You need to work on your turns.”

“Oh, right. My turns. So I need to be a professional to say something. I’m here to enjoy myself.”

He extends his hand to me. Does he really think I’m going to dance with him now? Is blatant sexism attractive to other women?

“You tire me. I’m tired,” I say.

He stalks off. I sink into a chair on the periphery and watch him invite his new partner. . . err, victim. His bluntness shocks me. This is a man’s world so shut up and accept it? Really? I grew up in Rhode Island in the 80s listening to Annie and Free to Be You and Me, believing that the world belonged equally to all of us.

The milonga starts. I join three friends over a bottle of Malbec. My three friends and I met in 2012 at Dinzel Studio, a hippie tango school that teaches the dance as a dialogue between equals. I tell them about Ponytail’s comments as I pour myself a glass of wine.

Elyse, a French physicist who switched careers to become a tango teacher, says, “You should have recorded it. It’s such a caricature.”

Linda, a physical therapist from Idaho, tells me, “He’s a jerk, let it go.”

I can’t seem to let it go. I change out of my tango shoes and into street shoes and on the way out I pass the male Toti smoking a cigarette in the vestibule. I tell him what happened.

He says, “You shouldn’t put up with that.”

“I tried and got a machista speech.”

Mala suerte (bad luck),” he says with sympathetic eyes that say, “Move on.”

Easy for you to say, dude, I think, as I head out to find a cab. Perhaps I’m being dramatic. Perhaps not. Perhaps this is a moment of seeing reality for what it is. Tango reflects society, and brings up many of the familiar struggles of womanhood. The older I get, the more clearly I see that sexism shapes our world. I didn’t notice sexism as much when I was younger and the beneficiary of youth’s privileges. But now I can’t deny that arrogant men will mansplain on the dance floor and there’s far more pressure on women to look decorative, young and thin than there is on men.

Why would I accept sexist rules in the world I love? I flag down a cab and get in. These are my spinning thoughts on the cab ride home, through Buenos Aires’ graffiti- and street-art-marked streets of European buildings and Latin chaos. You’re supposed to be a good girl and smile and pretend that sexism doesn’t exist. I don’t feel like pretending. When I get home I slam the cab door.

Is tango macho?
The next day I call Miles on Skype. Miles is my Argentine ex, and ever since we broke up, he’s remained a close friend and interpreter of Argentine culture and men. Miles is a sensitive Argentine man, intellectual, kind, very unlike the stereotype of the arrogant Porteño (resident of Buenos Aires). Back when we were getting to know each other in 2013, Miles would come over to drink mate–the ultimate Argentine ritual, a way of relaxing and doing nothing together–and listen to tango songs. He shared explicitly macho songs with me, like the classic “Porque Canto Asi,” “Why I Sing as I Do.” The lyrics radiate macho feeling:
And I was made in tangos
Because … Because tango is macho!
Because tango is strong!
It has something of life,
It has something of death.

After playing that song for me, Miles asked me, “How can you be a feminist and like tango?”

I laughed. Why not? “Of course I can,” I said. “Feminism is about freedom. It’s about seeing women as human beings. A feminist can enjoy dancing.”

Everyone who knows me knows I am a feminist. I have never hesitated to use the f-word to describe myself; it’s always seemed like the most common-sense thing in the world. I’m a woman, why wouldn’t I support women?

Everyone who knows me also knows I love tango. I rearranged my life to live in Buenos Aires, the birthplace of tango, back in 2012.

Nothing has ever given me more mind-cleansing pleasure (or revelation) than tango. I like being seen as a woman. and I don’t mean dresses or high heels. I mean being a woman in the deepest sense: embodying femininity, receiving a masculine energy and sending something feminine back. I love being embraced by men with puffed-out chests that invite me to puff my chest out too. I enjoy the gender play: being a woman and dancing with a man, or even, being a woman and dancing with a woman who adopts the masculine, assertive lead role.

As a tango follower, I close my eyes, surrender to the music and the moment and let go in a way that I don’t do in any other part of my life. Tango has also made me taller. In six years, tango molded me into a queen in a way no therapy or physical therapy ever could have. Tango trained me to stand up straight with a more powerful physical presence.

Why should there be any contradiction at all between tango and feminist? Tango is a lead-follow dance. Men lead. Women follow.

Do we see the dance as a dance of equals?

Do men see followers as equals?

Do we women see ourselves as equals?

After last night with Ponytail, I wonder if Miles was right. I tell him the story of Ponytail and now it’s Miles’s turn to laugh.

“Obviously your feminism is stronger than your love for tango.”

“You’re right,” I tell him. “I refuse to stay in an environment that degrades me.”

“Tango is very macho,” he said. “And Buenos Aires tango is more macho.”

“I know,” I said.

What am I supposed to do, stop dancing? If we’re honest, tango in Buenos Aires is not the only male-dominated arena. What about Congress, Uber, Fox-news, or the streets? If most of the world is male-dominated, how do women keep dancing within it?

A couple at Bar Laureles, a nostalgic tango restaurant in Buenos AIres

Tango’s roots
Ponytail man was right about one thing. Tango’s origins are definitely history: the dance was born primarily among men. Tango’s roots come from Africa, the Caribbean, and the pampas (the plains of Argentina), but most agree that the dance crystallized in Buenos Aires and Rosario, Argentina and Uruguay, in port cities among waves of immigration from Europe in the late 19th century.

In the late 19th century Buenos Aires was male-dominant. More men than women sailed from Spain and Italy to Argentina, hoping to make their fortune and return to Europe. Most stayed in Argentina and Uruguay, where there were few women. Men practiced tango together in crowded conventillos (like the teeming tenements on New York’s Lower East Side) with the hope of getting good enough to dance with a woman. Tango was the lonely man’s chance to embrace a woman. Some would say that tango was always an homage to the woman, to the mother, to the desire for a hug.

Fast forward 120 years. Tango went dark under Argentina’s repressive dictatorship and bounced back going global in Europe, the U.S., and Asia in the 90s. The gender situation has reversed. Globally and in Buenos Aires, more women than men dance.

Even though women are now the majority in tango a macho vibe persists. Sexism dies hard out of respect for the traditional codes.

The only way for a woman to escape the sexism seems to be to learn to lead. A leader, male or female, can ask anyone to dance. Women leaders are now enjoying an in-vogue status in Buenos Aires where they had to fight for respect in the past. I enjoy leading. Dancing the lead allows me to fully express my musicality. While following taught me about surrendering to the moment and pleasure, leading helps me develop qualities of decisiveness and assertion.

But my first love is undeniably following.

Finding myself as a follower
But I can’t help but ask, if tango is macho, or machista, does the feminine energy in the follower role get a fifty percent equal role in the dance?

I have been to many tango classes where tango teachers teach passivity in the female role. I’ll never forget the women’s technique class I took from a well-known Argentine woman teacher who told a group of women, “Technique is all you need. You don’t need any style. If you had a style, that would actually hurt because you would be less malleable.” I wondered if she thought a woman’s job was to be malleable off the dance floor as well as on it. She was married to her dance partner. I thought of a woman adopting all the preferences and personality of her husband. You like that wine, I love that wine. You love that neighborhood, I love that neighborhood. She was a beautiful dancer but there was something generic about her dance. It was technically perfect but soulless. Boring. She seemed too malleable.

I love the female role in tango. But I also want a voice. I want to be a full partner, not a sexy rag doll being danced by a man. Following is boring if don’t make it your own. I want to feel like I’m dancing.

After five years of dancing, my discontent with boring following welled up within me. I decided to do something about it by August 2015. I stop taking classes from that woman and return to DNI, a tango school founded by Dana Frigoli, a woman who teaches an active female role based in technical precision. If you want to be a strong woman, you need the inspiration of other strong women.

When truly expressive women dance there is a higher order to the game. You speak with your own voice in your follower response; you make your personality apparent. This is the active follower who speaks.

I book a lesson with Vicky Cutillo, a teacher who often wears cargo pants and Converse sneakers. She doesn’t seem worried about dressing traditionally hot (after all, there’s nothing less sexy than feeling obliged to dress sexy) and when she gives performances with her husband Jose, you can see her daring and teasing him before connecting with him. She’s ridiculously sexy, never boring.

“What do you want to learn today?” Vicky asks as she queues up songs on her iPod.

“Aesthetics. I want to dance more beautifully. Expression.”

“Bueníssimo,” she says with a sparkle of excitement. “Great. Learning aesthetics is the most exciting part of the learning process.”

We dance two songs. The lesson takes an unexpected turn. “The first thing to learn is how to brake the man,” Vicky explains. “This is how you show him that it’s your time. You squeeze his hand this way, at the same time grip his back put energy into your own back muscles to say, STOP. This is my moment.” I find this fascinating, and I listen to her carefully.

“It’s also important to be aware of the music at the same time,” she explains, “because you are choosing to decorate a moment. You don’t randomly stop your partner at a moment when it doesn’t make sense.”

“Tomar espacio?” I ask. “To take up space?” I expected her to teach me technical things about how to make embellishments with my feet, but she is teaching me the technique of the follower’s assertion within the couple. To make our voices heard, we have to make space for them.

“Yes, to take up space.” Vicky looks delighted that I had used these words, as if she knows there is a feminist trajectory in learning tango. A beginner starts out simply following, but as you advance you learn how to express yourself too within the lead-follow dynamic.

Tango already had unlocked so many things for me: the ability to live in the moment, let go, stop thinking, feel pleasure and stand up straighter. But this lesson felt like the cherry on top of all the other lessons. In a very physical way, tango was teaching me how to shine as a woman in a male-led dance. I could use my body to speak. To use braking body language, “Mi amor, mi vida, this is my time.”

Tango lessons have always translated for me as a reference point for life off the dance floor. The world de facto tells women to take up less space: to cross our legs while men spread theirs on the subway; to diet; to smile when a man interrupts us; to slouch to make ourselves invisible on the street. Tango, by contrast, teaches a woman to be bigger. To stand tall and proud in the encounter with a man.

When I learn something through my body I remember it. Movement anchors the lesson throughout my whole body, not just in my head.

The true meaning of “it takes two to tango”
For my final session that month, I booked a session with JuanPi, one of my favorite teachers. “What do you want from this class?” he asks. “Expression,” I say. “I’m working on being more expressive.”

After the first few dances, JuanPi says, “Show me you. Be more you. I don’t feel you. You need to have confidence that what you are doing is good. You will be playing a game to see who likes that and who doesn’t. What would you say to those men who don’t want it?”

“I’m a person, too,” I say, suppressing a laugh.

The music comes on, a strong beat from Di Sarli’s “Champagne Tango.” JuanPi wraps me in an embrace and I do the same. He walks and pivots slowly, giving me the time to feel the music. I make rhythmic taps with my feet. I pause when I feel the music calls for it to heighten the drama in our connection. I caress my own leg and his with my calf and heel. Between dances we slap five. We feel like a team. JuanPi is clearly still leading, but he’s also listening—and following me. I feel a joy in tango that I had not felt in a long time because I feel like I am actually dancing

After giving JuanPi multiple hugs at the end of our lesson, I bounce down the streets of Almagro, one of the Buenos Aires’ traditional tango neighborhoods to an antique Café Notable, Nostalgia. We took a video of our final songs. I order a cortado (coffee with a bit of milk) and after I order, I press play. I am eager to see if the dance looks as it felt. In the video, I see something I have never seen from myself before: a dialogue, a woman contributing half of the conversation. Suddenly, the cliché “it takes two to tango” makes sense in a new way. The dance is better with two fully formed individuals adding their own flourishes, pauses, interjections. You don’t follow, you dance; one person inspires the other.

Suddenly, the cliché “it takes two to tango” makes sense in a new way. The dance is better with two fully formed individuals adding their own flourishes, pauses, interjections. You don’t follow, you dance; one person inspires the other.


It’s been a year since the run-in with Ponytail. I haven’t left the milongas. I am clear about what I’m dealing with. When I go out to dance tango, I look for the men who want equal participation from women and screen out those who do not. I study only with teachers who value the female role.
Miles and I continue to talk about the uphill battle of changing a machista culture. He warns me not to have any illusions. I don’t. The macho nature of Porteño tango culture is strong. I spend time in other communities like yoga and tantra where people share more explicitly feminist values.

Men like Ponytail are still out there, as are women who want to follow passively, as are men who find those women dancers boring. What I’ve discovered as a feminist in tango is that male allies are critical. If I dance as an active follower with someone who wants passivity, we will be in a battle of the sexes. When I dance with a man who welcomes equal participation, we can dance.

Ponytail and much of his generation will never get it. But culture evolves as the dance evolves. It’s also important to work on how I see myself. It’s easy to fall into my own potholes of inferiority. Sometimes, when I’m getting ready to dance, after I spray on my perfume, I give myself a one-sentence pep talk, “I will see myself as an equal.” Then I go out to dance.


Note: To go deep into the gender dynamics of traditional tango invitation, watch the brilliant feminist anthropologist Marta E. Savigliano break down the “active passivity” of the milonguera in this video on the Wallflower and the Femme Fatale.

Sasha Cagen is the author of the cult hit Quirkyalone: A Manifesto for Uncompromising Romantics; she’s at work on a memoir called Wet. Sasha lives in Buenos Aires where she teaches the Tango Goddess workshop to help women find empowerment through their bodies for the milonga, on the street, and in the worplace.She also offers the transformative 7-Day Tango Adventures for those who want a supportive, transformative experience in Buenos Aires tango. She uses tango as a tool in her life coaching practice.

To stay in touch and follow her writing and work, sign up for her newsletter the Sasha Cagen Weeklyish.

The True Story of Why I Married Myself

a photo from the day I married myself in the Japanese Gardens of Buenos Aires

Marriage itself is evolving: First we had straight marriage as business arrangement, then we had the soulmate marriage, gay marriage, and now self-marriage. Two years ago the media got fascinated with the mini-trend of self-marriage. Since then I have emerged as one of the foremost experts on self-marriage. Certainly not anything I ever predicted I would be when people asked me what I wanted to be when I was in high school. I’ve been quoted in Cosmopolitan, Self, Vice, ATTN, New York Times, and on Nightline/ABC . I’ve given a million soundbites in the media about why women are saying I do to themselves, but I never really feel like I’m getting at the essence of why—at least for me. It’s easier to talk about the societal trends, but the societal trends are not as deeply true as the personal reasons. So I figured, I would tell my own self-marriage story in the truest way possible. The universal can be found in the particular and the particular is rarely found in a media soundbite. So here goes.

It still startles me to see in print: I married myself. It seems odd. It is odd. I never would have predicted that I would marry myself even though I was an early observer of the self-marriage trend.

I didn’t invent self-marriage but I was (according to the Internet) the first person to write about self-marriage in my 2004 book Quirkyalone: A Manifesto for Uncompromising Romantics.

Quirkyalone is a word I created to describe people who prefer to be single rather than settle. When I first heard about women marrying themselves, I thought it sounded like a way to ritualize the core principles of being quirkyalone: to love yourself and not settle in your relationship to yourself or with another person. I interviewed two Bay Area artists Remi Rubel and Aya de Leon who had married themselves. Remi and Aya drew on traditional wedding rituals: shower, wedding, reception, and honeymoon. They both went on to marry men and considered the self-marriage foundational, to help them not lose touch with their own needs within marriage.

At the time, I was 30. The self-marriage concept impressed me but I certainly never expected to do it myself. They had worn white wedding dresses and declared their love to themselves in front of an audience of friends. I could not imagine making vows to myself in such a spectacle. Really? I’m a relatively private native New Englander at the core: a writer, and a coach, not a performance artist. Couldn’t you love yourself privately without declaring your self-love publicly?

At 39, my feelings about self-marriage changed

Ten years later, why did I warm to the idea of marrying myself? There were many reasons, in retrospect, that map with the reasons more women are turning to this latest initially odd-sounding twist on marriage. As Rebecca Traister has pointed out in her book All the Single Ladies, women are not consciously rejecting marriage so much as they have more options to not settle out of economic obligation and social pressure. Today only 20 percent of Americans aged 18 to 29 are married, compared to 60 percent in 1960. According to the Pew Research Center, millenials are much more likely than older adults to say society is just as well off if people have priorities other than marriage and children.

But it’s not as if I wasn’t looking for a partner. Like increasing numbers of women I hadn’t find a man to marry between 30 and 40. When I was in my twenties, I thought he was magically going to appear when I was 30. But he hadn’t. And he still hadn’t. Was that because I wasn’t ready? Was it bad luck? Who knows?

Many friends had married. We feted them with gifts, toasts, and photo slideshows celebrating them from infancy on. I didn’t begrudge them these celebrations, but when you get to 40 and haven’t had a wedding, you realize marriage is the only coming-of-age ritual our society provides. Some would call all that marital attention “couple privilege.” Where’s the coming-of-age ritual for me, or any adult, if she hasn’t found a spouse or doesn’t want to marry?

The pressure of the so-called “expiration date” had been weighing me too. All that pressure I felt at 30 or 35: that was nothing in comparison to the inner panic about being single at 40. I knew it was crazy to worry about whether men would still want to date me when I was no longer thirty-something, but I worried.

Something even deeper was tugging me to marry myself that was I wasn’t even able to fully articulate my reasons at the beginning. I just had the impulse. There is a quote from the memoirist Rayya Elias that I like: “The truth has legs; it always stands. When everything else in the room has blown up or dissolved away, the only thing left standing will always be the truth. Since that’s where you’re gonna end up anyway, you might as well just start there.”

I like the idea of starting with the truth, but sometimes you don’t know the truth when you start. You can only grope toward the truth via instinct and the actual living.

But how to do it?

I wanted to marry myself with no clue on how to proceed. Even though I had written about self-marriage, I felt lost. It’s not like there is a set of instructions to follow handed down by generations. There is no self-wedding industry. (Or if there is one, it’s tiny.)

When in doubt, I turn to Google. I did a search on “self-marriage” and that led me to Dominique Youkhehpaz, a “self-marriage minister and counselor” with a B.A. from Stanford University in Cultural and Social Anthropology with a focus in Love, Ritual, and Religion. Dominique married herself in 2008 at 22 and helped others do the same since. I emailed her and we set up a time to talk.

Dominique explained the introspective, creative nature of self-marriage: “You can’t marry yourself without thinking about it deeply.” That was reassuring; I was on the right track if I needed time to find answers. She gave me examples: a Polish woman took 30 days to celebrate herself for 30th birthday. A guy married himself in a musical in his backyard. Another woman married herself alone in her bedroom with a candlelit ceremony. Talking to Dominique brought a huge feeling of relief; I could marry myself my own way. No white wedding dress or big audience required.

Dominique underscored the power of ritual, emphasizing that I could create my own ritual, private or public. “Ritual in itself has the power of transformation,” she said, and that made sense. I also thought, ritual somehow seals the deal. I would create a ritual. I hung up the phone feeling relieved, but like I had a gigantic creative question to answer: how was I going to marry myself in a way that felt true to me?

Who to tell 

I also didn’t know whom to tell. Telling even my closest friends felt vulnerable. I didn’t know anyone else who had married herself, and the act of self-marriage still seemed unusual, verging on pathetic. Let’s get real: most of my friends had married men, and I was talking about marrying myself?

Later I would talk about my self-wedding ring at parties in Buenos Aires and a woman ten years my junior would ask me, “Why did you marry yourself and not the earth?” Suffice to way that kind of conversation was not happening for me in the Bay Area in 2014.

I texted my best friend my intention: “I’m going to marry myself, will you help?” Jenny had married an alien in a performance art ceremony in the 90s in which I was a bridesmaid, so I’m not sure why I was worried about telling her. But now Jenny had a partner. Her alien wedding was art, my self-wedding was sincere. She responded supportively.

Who knows why, I told my mother. Why did I think my practical New England mother, who has been married most of her life, would understand self-marriage? When I told my mother, “I think I’m going to marry myself for my fortieth birthday,” she laughed and said, “Whatever’s good for you is good by me.” I was sure she was thinking, My nutty California daughter. I wonder if she will ever get married to a man?

I also told the guy I was dating. He was the closest I had to a boyfriend at that time. He said, “Sure if you want to jump out of a cake for your birthday I will support you.” I took a sip of my wine and said nothing, feeling inwardly self-righteous, and thinking, You don’t get it. Marrying myself is not nothing like me jumping out of a cake! Marrying myself is about taking a stand for my own self-worth and the self-worth of all women, married or not. I decided to tell fewer people.

There was one last person I told in those quaking moments, right before I turned 40: my best friend in Buenos Aires, Alexandra. (Though I lived in Oakland, California I was spending time in Buenos Aires because of my Tango Adventure business.)

“I think I’m going to marry myself,” I told her in Spanish on Skype. Ale is Colombian, but we met in Argentina through tango.

“I married myself!” she said. What a surprise. Ale had married herself already! She told me the story that day.

She had woken up from an anxiety dream. The dream said, “You’re past 30, who are you going to marry? Who are you going to marry? You better do it now.” She decided the answer to the expiration date anxiety was: I will marry myself. She went to a fair that Sunday and bought a ring, declared herself married and instantly felt calmer.

A friend told her, “This is good but don’t close yourself off from others.” She said, “Of course.” Ale felt the same way as I did: self-marriage is something you do to honor yourself, and to calm the panic about not being married in a society that still puts pressure on women to marry by a certain age, but it doesn’t shut off relationship possibilities.

When Ale told me her story I felt like I was stepping into a small sisterhood: the sisterhood of women who had married themselves. I wasn’t so alone in this anymore.

A time of reflection

I had started therapy a year before I decided to marry myself in order to look at any blocks in my own capacity for intimacy and commitment. For a person who wanted to marry herself, I’ve actually been focused on my relationships. I had struggled in a lot of my romantic relationships with abandonment fears, and I had what I would later call “single shame”—a fear that none of my long-term relationships had been long enough, and thus, no one was going to want to be with me.

There had been one therapy session when my therapist looked at me and said, “There’s a lot of shame here.” That had been a hard thing to hear because it was true. Even though I have professionally taken a role as an author and coach who helps others with their shame about being single I was still plagued by a lot of those demons myself. Later I would realize that a lot of that fear came from the fact that I held a secret for twelve years of my childhood: a secret about having been sexually abused once. The secret itself had left a deep mark on my psyche. The secret had imprinted corrosive messages: if you ever tell anyone the truth they will leave you.

My self-marriage, it seemed to me, was about working through that shame, owning all of me, and learning how to be vulnerable enough to share my feelings and my full story. As Brene Brown teaches in her TED Talk on vulnerability, the path to joy and connection runs through sharing the stuff that’s hard to share. Sharing that stuff brings us closer. Somehow I felt that marrying myself would help me get closer with others.

Two questions came out of that therapy session; “What are you marrying?” and “Why call this marriage rather than a self-love ritual?”

I didn’t have the answers to those questions at the time but I kept them with me. I started reading about what Jung calls “the shadow,” the parts that we disown in ourselves. My therapist defined “the shadow” as the stuff you don’t walk to talk about even in therapy. I started to think I would marry my light—the things about me that are fantastic (I can be cheerful, fun, brilliant, helpful, caring) and the dark that I hide from others (I can be moody, messy, angry, bitter, negative, revenge-prone, and neurotic). I wanted my ritual to say: you are lovable, all of you. Even the parts you find difficult.

For my entire life people have told me I am very hard on myself. So I thought, marrying myself would help me with self-acceptance. The essence of love is acceptance.

I also took to the practice of writing love letters to myself. After all, if you are going to marry someone, you need to like them—even love them.

As far as why call it marriage, I decided that was a semantic strategy. We consider marriage to be deep and important. So is loving yourself. If you called self-marriage a self-love ritual, the ritual wouldn’t have the same weight or importance.

Getting engaged

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So then how did it happen in the end? How did I actually pop the question, and make vows to myself?

I got engaged spontaneously at a gas station on the way back from my 40th birthday hot springs trip to the desert. I had been shy to ask for attention about the self-wedding during that birthday weekend because it was a joint birthday with two friends. I didn’t want to make it all about me, but then I fell silent, moody and sullen in the car, because actually I did want attention.

On the drive out of the desert I finally got up my courage and asked my friends Liz, Sonya, and Jenny for help. We had stopped at a gas station selling Elvis paraphernalia, stuffed animals and jewelry. That’s where I broke down and told them why I had gotten silent in the car. They were enthusiastic about helping me. I just had to ask for help.

We found the perfect charm necklace with two charms: love and Alexandra (my formal name) and did a photo shoot outside the gas station in front of a red and yellow sign for “Premium Gasoline.” I was engaged, and it was just my style, spontaneous. Kind of like eloping with myself—and three friends.

Getting over my cold feet

Nine months later I got married in Buenos Aires. My Colombian friend Alexandra helped me plan the event. I very much needed her as wedding planner to move the process along. I was starting to procrastinate. Ale and I chose a date, June 15, and a place, the Japanese Gardens in Buenos Aires. The guest list: short. Me, Ale and our close friend Nele. (We all met through a seminar called psicotango, which is all about finding yourself through tango.)

The night before Ale came over to help me pick out the outfit. The forecast predicted cool and drizzle. I didn’t want to be cold at my own self-wedding. We settled on my favorite red pants, a blue tank top and black sweater with a lace back. Red pants make me feel like a superhero. A necklace that belonged to the woman I was subletting from—something borrowed! The shoes and tank top: something blue.

“It’s your last night as a single woman,” Ale told me, as she put on her jacket to leave. “Take a bath, light candles, pamper yourself.” I took a bath by candlelight after she left, something I had never done in my life. It’s hard to describe the happiness of that night. It was a little like being a kid on Christmas Eve, the feeling that something very special was going to happen the next day.

When Ale showed up at my apartment the next morning we both felt giddy. We walked over together to meet Nele.

On the way to the Japanese Gardens

My plan for the ritual was simple. I would say something, ask each of my friends to offer a reflection, and then read my vows. Thus began the ceremony, up on the balcony of the sushi restaurant next to the Japanese Gardens so we would be away from the crowds.

“Today I am here with two of my best friends in the world to marry myself.” I explained at the beginning of my ceremony at noon on the balcony of a sushi restaurant so we would be away from the crowds. “By marrying myself, I marry my light and my dark. I bring together all parts of myself, including the parts I do not find easy: my insecurities, anger, and moodiness.”

Ale spoke, “The decision to marry yourself is to become conscious of who you are and accept yourself. When I married myself, I had a symbol, and I want you to have a symbol too. I bought this ring for you a long time ago. I liked it so much I thought I might keep it. I didn’t imagine that I would give it to you as a symbol from one woman who married herself to another.”

Ale handed me a black, brown and red ring she had bought in Colombia. I almost cried. We had unexpectedly created a new ritual: a self-married woman giving another woman a ring.

Putting on the ring

I read my vows. There were 18 of them. I’ve never particularly had the ability to edit myself when I get going. Here were three of them: “I vow to create intimacy in my life by making myself vulnerable, revealing how I really feel.” “I vow to fall in love with others’ imperfections as I fall in love with my own.” “I vow to see myself as beautiful.”

Post-wedding photos with Nele and Ale

Here is the video where you can see my ceremony:

As we walked home, Ale said, “Your ceremony reminded me of how I felt when I married myself, a happy place, Que lindo, How nice, I don’t have to be with a man to make myself happy.” I could tell Ale and Nele got a sympathetic high from my own ritual.

She also joked, “I’ve already forgotten my anniversary, but that’s okay. Self-marriage is like marriage, you forget your anniversary, you lose your ring. But the important thing is we know we are married.”

How is the marriage going? Are we happy together?

A lot of people will comment “how sad” when they encounter self-marriage. I suppose they are saying: “How sad these women have not found men to marry.” Or society is breaking down. Maybe they are thinking we are narcissistic, or any of the other knee-jerk responses people have to self-marriage. Do I sometimes feel sad because I’m single? Sometimes. Do I feel sad about having married myself? Never. My self-wedding was one of the best days of my life.

What difference does it make that I’ve married myself? It’s now been three years so I have plenty of time to reflect on whether this made any difference in my life. First the truth. I didn’t go on a honeymoon. I lost my wedding ring and the engagement necklace. I do not have wedding photos of myself splattered around my apartment.

Self-marriage is not legal. I don’t get any tax benefits from the state, and being married to myself doesn’t give me companionship: someone to have sex with, help me when I’m sick or talk to when I’m lonely.

Marrying myself also did not turn me into a Buddha who embodies perfect self-care and perpetual self-compassion.

Clearly, it’s not as if self-marriage is the end point.

But self-marriage has changed me. There’s no doubt in my mind about that. Marrying myself was a moment in time when I took a stand for my worthiness as a human being. When you marry yourself, you are saying, I am worthy of being married to—by myself or anyone else. The symbols from the ritual—the ring and engagement necklace—have consistently grounded me, especially in moments when I have felt shaky (like a break-up). Wearing my replacement ring gives me the same feeling of calm that the first one did. The self-marriage ring disrupts the idea that you can only be happy when you are married.

The ritual has affected me in many ways. The most profound has to do with the depth of relationship I’ve been able to have with another person. My boyfriend after the self-marriage was the first one who knew that I had a trauma of childhood sexual abuse–and that it still affected me as an adult. I was never able to even contemplate sharing that part of my life story with a partner before.

In the past when I would have reactions to conflict and criticism—some might say overreactions, and men would leave me. They would find me difficult. Ben was the first boyfriend who knew about my story, and therefore he could love and understand me. I had to be comfortable enough with sharing my story for that depth of connection to be possible. I had to work through that shame to get to self-acceptance. My self-marriage was a milestone in that process. When I told him my story I was upholding my vows to myself.

That man and I are no longer together, but it was the most loving relationship I have been in.

At the moment, I am dating. As I said, self-marriage, for me, was never about the commitment to be single. It’s about a commitment to self-love. I am infinitely aware that when I date and find someone that I like a lot of my shit comes up: my fears of abandonment, intimacy, commitment. The poet Adrienne Rich nails it here for me. Getting to love, and not infatuation, is no small thing: “An honorable human relationship … in which two people have the right to use the word ‘love’ is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other.”

Love, actually, is not for the faint of heart. The act of laying ourselves bare to another human being, to be seen for all of who we are, lovely and not obviously lovely, tests us. We can have anxiety attacks, sabotage relationships, or give up. Self-marriage helps me hold my own heart. My ring is a reminder: Of course I am lovable, I love myself.

Sasha Cagen is the author of Quirkyalone: A Manifesto for Uncompromising Romantics. She lives in Buenos Aires, where she sometimes help women marry themselves (remotely or in person) and teaches tango in 7-day tango holidays that bring together women and use tango as a metaphor for life and relationships. She is at work on a memoir called Wet, a journey of healing through sensuality in South America that goes even further deeper into these topics of shame, self-love, relationships and healing.

The Murky Truths of Non-Motherhood: A Podcast Conversation on Unclassified Woman

Unclassified Woman is a wonderful podcast about combatting “limiting female narratives”:

“With almost 25% of women over 40 child-free by choice or childless through circumstance, it seems absurd that women still have to justify their decisions or endure pity about why they’re not mothers. Motherhood is not a mandate and yet so many women are made to feel ‘less than’ or viewed suspiciously or disparagingly, if they are creating a life of meaning beyond biological mothering.

 

All of these outdated stereotypes lead to one dangerous assumption: what’s your value beyond being a mother? As mainstream society still tends to over-celebrate mothers juggling ‘it all’, and under-celebrate women who, whilst not mothers, have created lives of purpose and service – Unclassified Woman is the perfect antidote to limiting female narratives.”

Michelle Marie McGrath, the creator of Unclassified Woman, and I recorded an intimate conversation last year.

I remember the conversation being so personal that I was afraid to listen to it when she sent it to me. I summoned the courage, pressed play and found the conversation very nourishing.

I hope you will find the realness nourishing too.

In our Unclassified Woman conversation, we go into:
– the messy truth about why I haven’t had children, and many women today do not
– social infertility and circumstantial infertility (our choices are not always entirely choices)
– a near-death experience I had that helped me see I can’t put myself through so much pain around comparing myself and the value of my life to friends who are mothers
– the process of grieving not having a child even though I was never sure I wanted to be a biological mother
– the delicious moment when you figure out who you are and stand for your own value

Unclassified Woman: CLICK HERE to LISTEN TO OUR CONVERSATION.

Unclassified Woman is fabulous and you should definitely subscribe on iTunes.

Hey Hottie Feminist Men at the Women’s Marches. We See You. We Heart You.

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There have been times in my life when I have doubted, are there really liberated guys out there who want to date liberated women? Sometimes, when you are swiping on Tinder, you lose faith. (Perhaps Tinder is not the best place to look for feminist men!)

Now, after the historic Women’s Marches, now being called the largest demonstrations in U.S. history, with more than 3.3 million attending more marches in more than 500 cities across the country, I can say with more confidence that you are out there. To all the feminist men at the Women’s Marches, whether you came out to join us or you were home watching the kids so your partners could come. We see you. We heart you. We want you. Men supporting female quality is hot!

The Women’s Marches on January 21 showed that when women lead, they bring out the soul of a country.

But it wasn’t just women at the Women’s Marches. There were also lots of men at the march in DC–of all ages, races, and sexualities. (As well as trans people.) A lot of men watched kids so women could go.

The Women’s March was a great reminder that millions of people believe in female equality, but also that there are lots of feminist men out there.

So for a moment, I want to pay tribute to the men. The men who support nasty women!

We don’t need male approval but it’s great to have male allies. We feminist women need you feminist men now more than ever now that we have a pussy-grabbing president until we don’t.

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At one point, I was meandering through the crowd in the Women’s March in DC with my friends and I overheard a guy use the words “male privilege.” Where in my life did I ever hear men talk about their male privilege? I didn’t hear the context of what he was talking about, but I could imagine the privilege to negotiate more bluntly at work without fear of being viewed as a bitch, to be single without being called a spinster, to go out at night without fear.

Here’s a guy who acknowledges male privilege and speaks of it. Right on.

I whispered to my friend Sara, “There are so many cute feminist boys here. Awwww.”

A few minutes later I saw a guy with a sign “END LOCKER ROOM TALK.” Again, awesome. A man who wants to challenge the idea that pussy-grabbing without consent is a joke. Swoon again.

For those of us who are single, the feminist men at the march are a great reminder that there are liberated men who want to date a strong woman. I definitely was not thinking of the Women’s March in DC as a place to pick up a guy but by the end of the march, I was thinking, wow, the world is full of way more feminist men than I knew.

The next morning I held a quirkybrunch for single women who had attended the march. We discussed the men at the march and agreed they were awesome. “I want to meet a man like that,” one of the women said.

I told them, “I’m going to put a new picture on my online dating profile: a photo of myself in my pink pussyhat. With the caption, at the Women’s March in DC.” (I can’t let them think it’s a fashion statement devoid of feminist context!)

For my male readers, I’m not telling you to call yourself as a feminist as a come-on. But if you do support women openly and embody feminism you are going to win with great women. Wouldn’t any self-respecting heterosexual or bisexual woman want a woman-supporting man in her bed?

For married women the feminist men at the Women’s Marches are a reminder of all the men out there who want equal relationships.

I was talking with my friend’s husband who stayed home with their two kids, young boys under the age of 6 so she could come out and not spend all her time tracking down the kids. He said, “A lot of it doesn’t affect me personally as a white guy, but I think expecting that people are treated fairly with compassion and dignity is what we all expect. There’s this American idea of fairness. The American dream is about fairness, even if it’s not true we should strive for it.”

At the end of the day, we got our tired selves home to my friend’s neighborhood on the metro. Crowds were streaming off the metro into Takoma Park just outside DC and when we emerged onto the plaza by the metro entrance we passed a sweet, nerdy-looking guy in his thirties with a baby stroller. He was holding a sign scrawled on 8.5 x 11 paper written in blue-ball-point pen that simply said, “THANK YOU.” He must have been there to wait for his wife as she came home and to thank all the others who had gone to the Women’s March.

We said, “Thank you!” to him as we walked by. Really moved by him.

He said, “This is what a feminist looks like,” pointing to the baby inside the stroller. I couldn’t tell if the baby was a girl or a boy.

My friend Sara said, “You too.”

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Here are some more of the men from the marches in DC and NY. NY photos supplied by my hottie feminist male friend in Brooklyn.

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Madonna Nails It with this Brutally True Speech on Being a Woman. Don’t Go through Life without Watching This.

If you have not watched this speech from Madonna yet, I urge you to watch it. It will make you cry and it will give you chills.

Here are some choice excerpts, but trust me, watch the actual video!

“”I stand before you as a doormat. Oh, I mean, as a female entertainer,” Madonna said. “Thank you for acknowledging my ability to continue my career for 34 years in the face of blatant sexism and misogyny and constant bullying and relentless abuse.”

“People were dying of AIDS everywhere. It wasn’t safe to be gay, it wasn’t cool to be associated with the gay community. It was 1979 and New York was a very scary place. In the first year I was held at gunpoint, raped on a rooftop with a knife digging into my throat and I had my apartment broken into and robbed so many times I stopped locking the door. In the years that followed, I lost almost every friend I had to AIDS or drugs or gunshots.”

“In life there is no real safety except for self-belief.”

“I was of course inspired by Debbie Harry and Chrissie Hynde and Aretha Franklin, but my real muse was David Bowie. He embodied male and female spirit and that suited me just fine. He made me think there were no rules. But I was wrong. There are no rules — if you’re a boy. There are rules if you’re a girl.”

“If you’re a girl, you have to play the game. You’re allowed to be pretty and cute and sexy. But don’t act too smart. Don’t have an opinion that’s out of line with the status quo. You are allowed to be objectified by men and dress like a slut, but don’t own your sluttiness. And do not, I repeat do not, share your own sexual fantasies with the world. Be what men want you to be, but more importantly, be what women feel comfortable with you being around other men. And finally, do not age. Because to age is a sin. You will be criticized and vilified and definitely not played on the radio.”

“Eventually I was left alone because I married Sean Penn, and not only would he would bust a cap in your ass, but I was off the market. For a while I was not considered a threat. Years later, divorced and single — sorry Sean — I made my Erotica album and my Sex book was released. I remember being the headline of every newspaper and magazine. Everything I read about myself was damning. I was called a whore and a witch. One headline compared me to Satan. I said, ‘Wait a minute, isn’t Prince running around with fishnets and high heels and lipstick with his butt hanging out?’ Yes, he was. But he was a man.

“This was the first time I truly understood women do not have the same freedom as men.”

“I remember wishing I had a female peer I could look to for support. Camille Paglia, the famous feminist writer, said I set women back by objectifying myself sexually. So I thought, ‘oh, if you’re a feminist, you don’t have sexuality, you deny it.’ So I said ‘fuck it. I’m a different kind of feminist. I’m a bad feminist.'”

“I think the most controversial thing I have ever done is to stick around. Michael is gone. Tupac is gone. Prince is gone. Whitney is gone. Amy Winehouse is gone. David Bowie is gone. But I’m still standing. I’m one of the lucky ones and every day I count my blessings.”

Is it me or is Christian Carter of “Catch Him and Keep Him” the devil?

Have you ever gotten sucked into something that you were also ashamed to read? It happened to me yesterday. I was listlessly checking my email when I noticed a text ad that I must have seen more than 10,000 times. “How to catch and keep a man.” Those ads are as oddly ubiquitous as the text link ads for Acai Berry Wonder Diets, but I always assumed that ads with links like “Why Men Withdraw and What to Do About It” were for women who are more pathetic and malleable than me. Yesterday I joined the masses. And let me tell you. I became sickly fascinated. And angry.

I was vulnerable to that horrible ad because I recently heard something along the lines of “I’m just looking for something casual.” Somehow I find that impossible not to take personally. I clicked on the link–“The Ten Most Dangerous Mistakes Women Make”–and found myself swimming through simple, one-sentence direct-mail style paragraphs, like:

“Have you ever slept with a guy very quickly after meeting him, but as it started to happen you got that sinking feeling in your stomach? You knew it was a mistake, but you did it anyway. And then the thing you KNEW would happen actually happened: He unexplainably disappeared from your life. Honestly, have you ever had this happen?”

Of course, the worst part wasn’t that it happened, but that you KNEW you shouldn’t have done it in the first place… but you did it anyway.

Ummm, who hasn’t?

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